Across two different time periods, two women confront fear, loneliness, mortality, and a haunting yearning that will not let them rest. A breakout, genre-blurring novel from one of the most exciting new voices of Latin America’s feminist Gothic.
In the nineteenth century, a vampire arrives from Europe to the coast of Buenos Aires, on the run from the Church. She must adapt, intermingle with humans, and, most importantly, be discreet.
In present-day Buenos Aires, a woman finds herself at an impasse as she grapples with her mother’s terminal illness and her own relationship with motherhood. When she first encounters the vampire in a cemetery, something ignites within the two women — and they cross a threshold from which there’s no turning back.
With echoes of Mary Shelley’s Frankenstein and written in the vein of feminist Gothic writers like Shirley Jackson, Daphne du Maurier, and Carmen Maria Machado, Thirst plays with the boundaries of genre while exploring the limits of female agency, the consuming power of desire, and the fragile vitality of even the most immortal of creatures.
‘Thirst cleverly pulls you in with its melancholy prose and its setting and its haunting mood and before you know it you’ve read the whole thing while chewing on your hair. An evocative tale that both recalls and subverts the classic gothic vampire novel. What a mesmerising read.’
Virginia Feito, author of Mrs. March
‘Mesmerisingly translated by Cleary, Yuszczuk’s prose is meticulous, vibrant, propulsive, and masterfully paced. Her characterisations will stir readers’ emotions, empathy in particular; we suffer characters’ longing, their mournful feelings of being locked into inescapable circumstances. Thirst is an intense, haunting, and captivating novel that draws readers in from beginning to end.’
Lillian Dabney, Booklist