Two Scribe titles shortlisted for Oxford-Weidenfeld Prize

It’s summer behind the Iron Curtain, and six girls are about to swim their way to the Olympics — and a new life.

In an unnamed Soviet state, six girls meet each day to swim. At first, they play, splashing each other and floating languidly on the water’s surface. But soon the game becomes something more.

They hone their bodies relentlessly. Their skin shades into bruises. They barter cigarettes stolen from the factory where they work for swimsuits to stretch over their sunburnt skin. They tear their legs into splits, flick them back and forth, like herons. They force themselves to stop breathing.

When they find themselves representing their country as synchronised swimmers in the Olympics, they seize the chance they have been waiting for to escape and begin new lives.

Scattered around the globe, six women live in freedom. But will they ever be able to forget what they left behind?

When her parents die in a car accident, highly talented Austrian physicist Ruth Schwarz is confronted with a problem. Her parents’ will calls for them to be buried in their childhood home — but for strangers, the village of Gross-Einland remains stubbornly hidden from view.

When Ruth finally finds her way there, she makes a disturbing discovery: beneath the town lies a vast cavern that exerts a strange control over the lives of the villagers. There are hidden clues about the hole everywhere, but nobody wants to talk about it — not even when it becomes clear that the stability of the entire town is in jeopardy.

In the literary tradition of Thomas Bernhard and Elfriede Jelinek, Raphaela Edelbauer’s tale of trauma and history weaves an opaque dream fabric that is frighteningly true to life, and in the process she turns us towards the abject horror that lies beneath repressed memory. The Liquid Land is a dangerous novel, at once glittering nightmare and dark reality, from an extraordinary new voice.