Scribe UK's New Releases, November 2026

The sweeping cultural history of a spice so coveted it launched empires across oceans, reshaped global trade, and bound generations of Sri Lankan peelers to colonial rule.

For millennia, cinnamon has been treasured for its healing powers and warm, unmistakable aroma. But behind its familiar scent lies a tumultuous past steeped in conquest and rebellion. In Cinnamon, acclaimed historian Nira Wickramasinghe traces the remarkable story of this ‘queen of spices’, from ancient Egyptian embalming tables and medieval Mughal kitchens to disastrous expeditions in search of mythical cinnamon lands in the Americas and the fierce imperial rivalries of the Portuguese, Dutch, and British. She reveals how global demand for ‘true’ cinnamon transformed Sri Lanka, where an entire caste of peelers, neither enslaved nor free, were compelled to harvest the bark under systems of semi-servitude, at times rising up in rebellion.

Drawing on meticulously researched global history and mythology, Wickramasinghe brings to life the smugglers, merchants, cooks, botanists, conquerors, and peelers who built the cinnamon trade. A vivid journey across centuries and continents, Cinnamon is the definitive portrait of a spice through which the turmoil and richness of our world come alive.

From the bestselling and always-prescient author of Listen, Liberal comes a bold indictment of America’s chronic obsession with creativity and innovation, showing how these beloved ideas came to dominate the country’s political and economic conversation, all while serving to mask inequality and protect elite interests.

Innovation and creativity have been the defining watchwords of American exceptionalism for decades, used by business thinkers, tech gurus, military strategists, educators, and urban planners to describe the country’s unique standing in the world. While other countries supposedly suffer from regimentation and a fatal lack of imagination, the United States is often portrayed as an unmatched dynamo of new ideas and products. In his new book, Thomas Frank disabuses us of this notion, offering a bold account of the way creativity and innovation have been used as a kind of ideological cover for policies that reinforce the class system.

Frank uncovers the insidious effects of centring innovation and creativity in rhetoric while, in practice, nurturing exactly the opposite. In the name of these noble goals, he shows, the country’s leaders have reoriented the American economy around white-collar knowledge work, cut taxes on the wealthy, deregulated banks, off-shored manufacturing, reoriented cities, and destroyed what is truly creative about this country.

Deeply original, marked by Frank’s signature brilliance and acerbic wit, The Creativity Con is a troubling X-ray of post-war American business and political culture — and a crushing indictment of the clichés that have undergirded its many failures.

The extraordinary tale — ‘A two-volume mystery!’ Mark Twain called it — of the solicitor who incited a campaign to free a man he knew was guilty of attempted murder, who lost his reputation and ability to practise, and who embarked on a decades-long political career to regain it all.

Sydney, 1895. Richard Meagher is a brilliant criminal defence solicitor with ambitions in politics. Into his life comes George Dean, a handsome, popular ferryman accused of attempting to poison his own wife. The evidence pointing to Dean’s guilt is damning but, in Dean’s protests of innocence and the clamour of public support, Meagher senses that a great opportunity is at hand.

Nine months later, everything is in ruins. Dean is in gaol, and Meagher has lost everything. Determined to recover his reputation and vindicate his actions, Meagher begins a twenty-five-year quest to rewrite the ‘Dean case’ and reclaim all he has lost. That quest will put him in the glare of public scrutiny, arouse enemies at every turn, propel him to high political office, and entwine his cause with the making of the Australian nation.

In a work of true crime with a twist, moving from sordid Sydney streets to the corridors of parliament, and spanning the critical years of Australia’s history in the late-19th and early-20th centuries, The Stained Man tells the riveting story of Australia’s most sensational scandal — and of how an indelible stain was eventually expunged.

A hagtale, a dark fable, a story told around winter’s fires and known to Shakespeare but never written down. Until now.

In eleventh-century Scotland, feral wolf-child Wulva is brought up by witches and then sent to live at a Scottish castle, where she falls under the spell of cruel, ambitious Lord Macbeth.

Three hundred years later, gentle Brother Rowan goes on a strange and perilous journey to a remote and ancient monastery to write a history of the Scottish king-line.

Misfits in their own time, seekers after truth, Wulva and Rowan are deeply connected despite the centuries that separate them.

Hagtale explores the power of stories lost and found, their transformative potential, and who gets to be the owner of the tale.